This work explores what is seen against what is unseen, and how installation can hold the desire for belonging through personal memory.

Acrylic panels suspended on wire hold an etching of a home drawn during my childhood, disjointed and legible only from the right angle. Pink and black panels overlap and block the image, echoing memory's highlights and gaps.

Text on the reverse carries A. A. Milne's "A Thought," a note of childlike, quietly existential comfort. What's visible is never the whole picture, only enough to prompt the question of what's missing.